Top 5 American Movies 2022 on Netflix | Hollywood 2022 Top Five Flims for Online Watch or HD Download
Top 5 American Movies in 2022 on Netflix | Best Hollywood Cinema 2022
1) The first cow
Very few directors, such as Kelly Richard, are rhythmic in nature and otherwise adapted from Jonathan Raymond's novel The Half-Life. After arriving, he befriended and started a business with a legendary businessman in China. Lu (Orion Lee), owned by the wealthy Chief Factor (Toby Jones), bakes and sells popular "oily cakes" stolen with dairy cow's milk. Cookie and King Lou's attempt to rise above their socio-economic center through a criminal scheme and the potential catastrophe awaiting them is the surprised heart of this quiet official thriller, which expresses concern over the red indifferent face, gestures and customs of an army. The characters have a brief impression of moving forward and pioneering the country ahead. Setting its action in the middle of the forest green or by squeezing the cabin windows and the cascading sounds of its rural environment - plucking the wings, fluttering the birds, letting the water flow, human breathing - is a sympathetic vision of deep male friendship and dangerous capitalist enterprise.
2) Wild Goose Lake
Memento Films
Like its predecessor Black Coal, Thin Ice, Chinese director Diao Yinan’s The Wild Goose Lake has a coiled intensity that widens its romantic deadlyness. Diao's neo-Nair follows a gangster named Chou Zhenong (Hu Jii), who partnered with a prostitute named Lu Ai (Gui Lun Mei) to reunite with her partners after she killed a police officer in a criminal attempt. Wife Yang Shujan (Wan Qian), so he can collect the prize on his head. The betrayal, the manhunts and the shootout in Rifle, Outer's statement continues to take sharp, unexpected turns, and the same is true of his dummy side, which reveals invisible images and twists, which are expressed in a realistic image of a married marriage with precise images. Law and order belongs to the lake coast community. Victimized by Police Captain Liu (Liao Fan), Diao's heroes are morally involved in a deadly game, as they all instinctively know the rules and their sense of purpose echoes the film, which orchestrates its underground conflict with the appropriateness of breaking rates. Also, it boasts of 2020’s most terrifying innovative use of an umbrella.
3) The Assistant
Kitty Greene's The Assistant is the first great #MeToo movie, a gruesome look at how the day-to-day gender-unbalanced abuse and abusive behavior are embedded in the workplace system. Although you may not hear Harvey Weinstein's name once uttered, his presence is evident throughout this clinical story about Jane (a Sterling Julia Garner), a film production company that requires the abuse of both the subtle and the over-the-top as Totem Pole. . Whether punished by her boss (who only got a telephone call), or quietly sharing it with her female colleagues, Jane is both a victim of exploitative men and, more fiercely, a corrupt institutional structure that perpetuates itself by building And seductive silence. Revealed by Jane's meeting with a brutally calculated human resource representative (Matthew McFadden of Sextians), whose threat is both written and logical, it is a portrait of many deceptive forms of sexualism.
4) Gretel & Hansel
Orion Pictures
Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. In a countryside beset by an unknown plague, teenage Gretel (It’s Sophia Lillis) refuses to work as an old creepy man’s housekeeper, and is thus thrown out by her mother, forced to take her young brother Hansel (Sam Leakey) on a journey through the dark woods to a convent she has no interest in joining. Beset by hunger, the two come upon the home of a witch (Alice Krige), whose feasts are as mouth-watering as her magic lessons for Gretel are simultaneously empowering and unnerving. Perkins sticks relatively closely to his source material’s narrative while nonetheless reshaping it into a story about feminine power and autonomy, and the potential cost of acquiring both. Drenched in ageless, evil imagery (full of triangular pagan symbols, pointy-hatted silhouettes, and nocturnal mist), and boasting a trippiness that becomes hilariously literal at one point, Gretel & Hansel casts a spell that feels at once ancient and new.
5) Saint Maud (Release Delayed)
Hell hath no fury like a religious zealot scorned, as demonstrated by writer/director Rose Glass’ feature debut. A Young hospice nurse named Maud (Morfydd Clark) comes to believe that her mission from God—with whom she speaks, and feels inside her body—is to save the soul of her terminally ill new patient, famous dancer Amanda (Jennifer Ehle). What begins as a noble attempt to share pious belief and provide comfort for the sick swiftly turns deranged, as Maud is possessed by a mania impervious to reason, and enflamed by both the slights she receives from Amanda and others, and her own mortal failings. The sacred and the profane are knotted up inside this young woman, whom Clark embodies with a scary intensity that’s matched by Glass’ unsettling aesthetics, marked by topsy-turvy imagery and pulsating, crashing soundtrack strings. A horrorshow about the relationship between devoutness and insanity, it’s a nerve-rattling thriller that doubles as a sharp critique, culminating with an incendiary final edit that won’t soon be forgotten.